In ANIMALIA: PARALLEL MEMORIES, Nafy Llanas envisions a universe where creatures, buildings, and everyday objects share the same emotional atmosphere. Hybrid beings appear suspended between times — carrying memories of what once was and fragments of what might come.

Through a surreal use of color and a gentle sense of strangeness, Llanas creates a visual ecosystem where tenderness and dissonance coexist. Each figure seems to breathe, recalling both past and future at once, as if the act of remembering could shape new forms of life.

Her work becomes a kind of emotional archaeology — a bestiary of parallel memories, where the boundaries between the human, the animal, and the artificial fade into one continuous, living landscape.